"Bat-Mite's Super-Circus!"

Issue: Detective Comics #310

Cover Date: December 1962

Writer: Bill Finger

Penciller: Sheldon Moldoff

Inker: Charles Paris

Cover Artist: Sheldon Moldoff

Synopsis: Bruce Wayne and Dick Grayson are enjoying a moment of relaxation, noting that sooner or later Batman and Robin will be needed. Meanwhile, Bat-Mite has returned to the crime fighting pair's dimension and is eager to see his hero perform more fantastic stunts. He transforms an old mining town into a variety of objects (including a statue, pirate ship, castle, and fountain), seeing it as a perfect setting for more fun. The next day, Bat-Mite diverts a trio of crooks into going to his circus, where he gives each of them a super-power. The Dynamic Duo first contends with a crook who can stretch, dodging his extended reach by jumping from the ship they boarded to the statue. The second criminal, a human cannonball, rolls toward the statue, but Batman and Robin evade him by sliding down the statue's arm. The third thug, a strongman, prepares to swing a lamp post at the pair, but Bat-Mite transforms it into a flower. While Batman is beginning to figure out that this is another Bat-Mite adventure, the imp hits his head on the pirate ship's plank when he jumps up in excitement.

After having been invisible for the fight so far, Bat-Mite suddenly becomes visible. Before he can try to figure out why, he attempts to remove Batman and Robin from the rubberman's grasp, but finds that he cannot use his powers. He explains to the Dynamic Duo that the part of the brain that allows him to project his powers has been affected, before he is grabbed by the strongman. Batman diverts the water from the fountain into the rubberman's face, allowing the trio to make a run for the Batmobile. They begin to drive off, but the strongman uses the rubberman's body to propel the human cannonball into the Batmobile, knocking its occupants out. The three super criminals leave the Dynamic Duo and Bat-Mite to drown in the dungeon of the castle, but Batman is able to throw Bat-Mite up once they leave to turn off the water. Later, while driving in a spare Batmobile, the crime-fighters receive word that the strongman is breaking into the Gotham Aircraft Company.

When they reach the Company, the trio head for where the payroll safe is located, followed by the strongman. Batman fights the criminal one on one and appears to slam his head into a wall. The strongman delivers what he thinks is the finishing blow, but Batman dodges it and the strongman's fist bounces off the wall and collides with his own face. Batman explains that the wall was in fact a slab of foam rubber used to make seat cushions and he only pretended to be dazed. They then drive to a National History Museum, where an alarm signals the rubberman trying to steal a necklace of black pearls. The rubberman at first has the upper hand, dodging the Dynamic Duo and stopping Bat-Mite with his foot. Quickly, Batman once again outsmarts his opponent, punching his head up into a doorway. For the final criminal, his m.o. provided by the Batcave's crime files leads them to the S.S. Atlanta where a Rembrant is being delivered. While first stopped by oil slick, the human cannonball prepares for another strike, rolling down a gangplank straight for a bunch of explosives. Suddenly, a trampoline appears for the criminal to bounce off of and he returns to normal, signaling Bat-Mite having his powers once again. After dropping the criminals off at prison, Bat-Mite explain's that running into the rubberman's foot returned his powers. The Dynamic Duo point out that this means he had them the entire time they fought the human cannonball, causing Bat-Mite to make a hasty exit.

Thoughts: Today marks the 52nd anniversary of the publication of Detective Comics #267, the first appearance of Bat-Mite, so what better way to celebrate than reviewing a Bat-Mite story? Before I go into this fun little story, I do have a few criticisms, one major and one minor. My major problem is actually with the first panel of the story after the title splash page. In it, Bruce wishes that they had more days of luxury and Dick agrees with him. Now, I am not saying that the pair should never have downtime, but they should always be shown as dedicated to fighting crime. In the Golden Age, the origin stories of both heroes showed them vowing their dedication due to both losing their parents to crime. After those stories and before this one, Batman had confronted his parents' killer and the man who ordered the job done. While continuity was not considered nearly as important as it is today, the number of call backs to Batman's origin should have set how important his dedication to crime fighting is, and by extension Robin's. My other, and much more minor, problem is that Batman says "whoa" after Bat-Mite reveals how long he's had his powers back. Robin saying "whoa" sure, but Batman saying it is odd.

Other than those points, this is another fun Bat-Mite tale. The imp creating an entire castle, a pirate ship, and a statue are clear signs that this is a Bill Finger story. Bat-Mite giving criminals super-powers takes the common story of the Dynamic Duo against normal crooks and makes it more interesting. As Bat-Mite spends most of the story powerless, most of the focus is on Batman and Robin cleaning up his mess, allowing Bat-Mite to tag along and observe his hero in action like he wanted. Bat-Mite still has a few highlights, such as Batman throwing him like a football out of the dungeon and hiding that he got his powers back so that Batman would have to fight the last criminal. Batman outsmarting the super-crooks and making them essentially defeat themselves was the right way to go, rather than a scenario like having them best the Dynamic Duo and Bat-Mite getting his powers back on the last page. Winning fights with his supervillains, and super-criminals such as these, through brain with a little brawn as opposed to merely brawn is how Batman should operate.

Sheldon Moldoff's adds the charm that a Bat-Mite story needs. The expressions he draws on the imps face are part of what makes the character as entertaining as he is. This story also features one of my favorite Bat-Mite panels, where Batman is holding up Bat-Mite by his cape after the trio have been thrown in the dungeon, with the Dynamic Duo's faces on either side and Batman pointing his finger at the imp. There's an art detail that might have been described in the script or a choice by Moldoff. When Batman rescues Bat-Mite from the strongman, he tucks him under his arm like a football, an interesting choice as Batman describes throwing Bat-Mite "like a football." The most interesting art detail is that the rubberman's costume was colored purple and his hair colored red, making him resemble DC's Elongated Man. Elongated Man debuted in Flash #112 from 1960, adding a bizarre little coincidence to another fun visit from Batman's biggest fan.

This story has not been reprinted.

Batman: The Brave and The Bold Episode 45 - "Emperor Joker!"

Written by: Steven Melching

Directed by: Ben Jones

Original Airdate: October 9, 2010

Synopsis: The episode begins with a teaser entitled "The Rainbow Batman" (in color) under the banner of Batman's Greatest Cases. Batman is seen putting on a red (pink) Batman costume and, when questioned by Robin, tells him that he must wear a different colored costume every night. The show then cuts to the gold depository where Firefly is breaking into a vault, only to find the Dynamic Duo already inside. When he fires a red beam from his belt at the pair, Batman is able to deflect due to his costume being the same color. Not ready to come quietly, Firefly activates all of the colors on his belt and creates a rainbow creature. The creature has different colored beams each with their own power, using one of them to turn Robin into a two-dimensional state. Batman presses a button on his belt, transforming his suit into a rainbow one. Now impervious to the creature's beams, he punches it into little more than light and knocks out Firefly soon after.

The main story begins with the Ten-Eyed Man about to rob a jewelery store, when Batman speaks from above him. The fight barely begins when Bat-Mite pops into reality, advising Batman about the Ten-Eyed Man using Who's Who #23. Batman reminds him about his promise to stay in his own reality and then picks his fight back up, leaving Bat-Mite to continue reading the Who's Who entry. Bat-Mite eventually helps his hero by creating a cactus, which Batman throws at the Ten-Eyed Man, who catches it with predictably painful results. After Bat-Mite expresses wanting to see Batman in a fight worthy of the Caped Crusader, he takes Batman to his shrine of all of Batman's greatest battles with his arch-enemy The Joker. When Batman says he won't be battling the Clown Prince of Crime since he's in Arkham, Bat-Mite uses his powers to allow The Joker to escape.

Batman brings Bat-Mite along to stop Joker from robbing Gotham's Comedy Museum, albeit on the condition that the imp not use his powers. Bat-Mite agrees and gets the fight he was wanting, as Batman not only has to face off against The Joker, but Harley Quinn and four of The Joker's goons (with appearances that resemble silent film comedians). During the course of the fight, Bat-Mite becomes smitten with Harley Quinn, perhaps because they both feel that Batman and The Joker bring out the best in each other. Eventually, an exploding hand allows The Joker and his henchmen to gang up on Batman. While keeping his promise to Batman, Bat-Mite finds a loophole to help his hero by giving his powers to the Caped Crusader. Unfortunately, the transfer misses Batman and hits The Joker instead. While The Joker uses his newfound powers to subdue Batman with a giant boxing glove and force lightning from a joy buzzer, Bat-Mite is left to deal with a Joker-Mite created just for him.

After an impromptu musical number of The Joker celebrating the power he has gained, he sets off the equivalent of a "Mouse Trap" that appears to kill Batman. While The Joker at first mourns the death of his adversary, he brings Batman back to life so that he can kill him again and again, utilizing a giant beaker of acid, flamethrowers, sharks, and other scenarios. As for Bat-Mite, he has been reduced to a court jester thanks to Harley Quinn intervening on his behalf. Batman appears to beg for The Joker to stop killing him and take away his sanity instead, an idea that The Joker delights in and plans to go into Batman's head to do it himself. When he does, Batman outsmarts him by placing him in a world where Batman does not exist and therefore The Joker has nobody to match wits with and ceases to be who he is. Meanwhile, Bat-Mite and Harley Quinn team-up to take down Joker-Mite and the rest of Joker's gang. The episode ends with Bat-Mite returning the world to normal, The Joker left drooling from his encounter with Batman's mind, and Bat-Mite having his own arch-nemesis in the form of Joker-Mite.

Thoughts: Before I talk about the main story, I have to touch on the teaser segment. You can tell how aware the crew behind the show are when they turn the infamous "Rainbow Batman" cover into a cartoon. While it does not follow the plot of the story behind the cover, they created a new, more fantastical story that fits into the Silver Age mold. They even bring in other fifties era stories, as Firefly and his light belt debuted in Detective Comics #184 and the Rainbow Creature appeared in Batman #134. Even before the real story has begun, the episode has woven three stories together into a fun wink at the fans who know about them.

Of course, the main attraction is Bat-Mite in his second appearance in the series and it is another great one. As Bat-Mite is Batman's biggest fan, Melching takes that concept and applies it through the lens of the 21st century comic book fan. Not only does Bat-Mite read the Ten-Eyed Man's Who's Who entry, but he bags the comic and puts it into a longbox. He comments about how much he loves Batman's show, which refers to both that Batman: The Brave and The Bold is a cartoon and that Bat-Mite's observing Batman is like watching television for the imp. In his shrine to the Batman/Joker fights, he has replicas for the fifties story "The Joker's Utility Belt," as well as the more modern stories "The Laughing Fish" and "A Death in the Family." For the latter, Bat-Mite even asks Batman how he thinks Bat-Mite voted, calling back to the fan vote over whether Jason Todd would live or die. This playing up of the fanboy aspect of Bat-Mite is not a cruel jab, but rather gives comic fans an opportunity to laugh along with the show. But Bat-Mite's fanboyism is not the only interesting aspect of the character in the episode. I have to imagine that Bat-Mite's crush on Harley Quinn is a call back to Bat-Mite's crush on Batwoman in "Batwoman's Publicity Agent" from Batman #133. Bat-Mite's attempt at transferring his powers to Batman keeps the Bat-Mite story element of the imp's attempts at help causing Batman more trouble, while showing he respects his hero's wishes (even though Bat-Mite transferring his powers to Batman is a use of his powers). The Joker-Mite is a fitting concept that one would expect to see out of a Silver Age comic and Bat-Mite's defeat of him without his powers mirrors Batman taking down supervillains without being superpowered.

In contrast to the fun Bat-Mite elements are the darker Joker elements. In the series, the more harmless Silver Age Joker incarnation has been played up more than the homicidal clown. This episode, however, brings out the more murderous side of the character. While Batman is not shown dying, the episode leaves little to the imagination. When Batman is smashed by a giant hammer and crushed by a pair of walls on camera, and when he is beheaded by a guillotine off camera, there is no blood, but the sound effects emphasize what is happening. When Batman is drowned in the acid beaker, his skeleton floats toward Joker and a distraught Bat-Mite. While cartoony (down to a transparent angel Batman floating upward after his first death), the montage of Batman deaths shows how sadistic The Joker is and is pretty macabre for what is seen as a children's cartoon. Not that I am complaining mind you, as it is what Joker would do if he had potentially unlimited power (and did in the original comic storyline, albeit with Mr. Mxyzptlk's powers). Keeping with The Joker's character, touches of humor are added to the deaths. In the initial "Mouse Trap" death, Batman gets out of the spike filled coffin that will supposedly kill him, only for the trap to continue and the hammer to crush him. When Batman is about to be dropped in the beaker of acid, he starts to give an encouraging speech to Bat-Mite when The Joker cuts the rope before he can finish. The experience also shows that Batman's mind is so well disciplined that not only could he focus enough to come up with a plan, not only could his mind create a world that would show how The Joker's existence would have no meaning if Batman was gone, but that he could come out of dying multiple times still in possession of his sanity. By mixing the amusingly self-aware element of Bat-Mite with the morbid element of The Joker, the episode strikes a balance that allows Bat-Mite to shine and Batman's mental prowess to be examined.

Batman: The Brave and The Bold Episode 19 - "Legends of the Dark Mite!"

Written By: Paul Dini

Directed By: Ben Jones

Original Airdate: May 29, 2009

Synopsis: As with the other episodes of "Brave and The Bold," this one begins with a teaser seperate from the main story. Catman is seen in a jungle auctioning off a rare tiger in front of hunters, poachers, and a criminal chef. The bidding gets up to four million dollars when Batman swings down from a tree, knocking Catman to the ground. He quickly dispatches the assembled crooks and then finds himself having to deal with the tiger, released by Catman. With a whistle, Batman summons Ace The Bat-Hound from the jungle. Ace fends off the tiger, sending the once ferocious animal retreating to its cage, before barking Catman up a tree. Catman tells Batman to call him off, which Batman does, before giving Ace a bat shaped dog treat.

After the opening, the main story begins with Batman foiling a robbery at the bank. The two criminals give up as soon as they see Batman, when a voice tells them they're doing it wrong. The criminals are then animated to come at Batman with bags of money, then are joined by more criminals out of thin air with machine guns, and then all of the criminals become ninjas. Batman defeats all of these attackers before asking the voice narrating the whole time to show himself. Batman is teleported to another part of the city and the narrator reveals himself to be Batman's number one fan...Bat-Mite. After explaining more about himself and trying to change Batman's costmue, Bat-Mite tries to decide on a villain for him to fight and Batman tricks the Mite into choosing Calendar Man. Bat-Mite sees through Batman asking Calendar Man to take a fall and transforms him into Calendar King, who can summon armies of holiday themed characters.

Bat-Mite thinks Calendar King is going a bit too far with mutant Easter Bunnies and freezes everything to convene a Batman panel at a convention in the 5th Dimension over the validity of the mutant bunnies. One fan speaks up about how his Batman is a dark crime detective and this is not his Batman. The panel (composed of crew members from the show) agrees upon a reply for Bat-Mite to read, which says thus:

"Batman's rich history allows him to be interpreted in a multitude of ways. To be sure, this is a lighter incarnation, but it's certainly no less valid and true to the character's roots as the tortured avenger crying out for mommy and daddy."

After that, and agreement from the audience that the mutant bunnies are pretty scary, the fight continues, culminating in Batman decking Calendar King back into Calendar Man. Bat-Mite is about to decide what fun to have next when Batman convinces him to save his abilities for real crimes, with the help of an autographed batarang.

Batman returns to the Batcave and tells Ace about the pest he had to deal with. The appearance of a second Ace causes Batman to realize he's been talking to a transformed Bat-Mite, who transports Batman away to an alien planet intending to force him to be his plaything. Batman refuses to do so and sits on an otherworldly toadstool instead of fighting the various alien menaces Bat-Mite has thought up. Batman then eases Bat-Mite into the idea of a role reversal, with Bat-Mite acting as Batman and Batman narrating what happens to him. After defeating Gorilla Grodd, Bat-Mite finds himself in a scene paying tribute to the Looney Tunes classic "The Great Piggy Bank Robbery," with both well known and obscure villains chasing after him. Overwhelmed, he asks for Batman's help, who takes out the villains after playfully chiding Bat-Mite a little. Bat-Mite apologizes to Batman and returns him to his cave, who checks to make sure Ace is the real Ace before he relaxes.

Thoughts: I'm a fan of the Dark Knight as much as the next guy, but I'm also a fan of the lighter Caped Crusader as this blog attests. After the steady stream of darker media, it's nice to have a Batman cartoon that's just plain fun. One of the reasons I'm such a big fan of "Brave and The Bold" is because of how much it embraces its characters' Silver Age roots. Instead of playing them as parody, they're played straight with fun fully their intention. There are references peppered throughout the show, such as the use of the 1950's Batmobile in a flashback or Professor Carter Nichols when time travel's needed, but this episode is one for the fans from beginning to end.

Before I get to the easter eggs, let me give some thoughts on the episode itself. In a nutshell, this is the best episode of the show yet. Now I may be a little bias, but seriously, this episode has it all: Bat-Mite, lots of villains, fan easter eggs, and that fantastic convention scene. I was looking forward to this episode as it was featuring Bat-Mite, but then you have Catman and Ace The Bat-Hound in the teaser? Sold twice over. I had my doubts about Paul Reubens voicing Bat-Mite leading up to the episode's airing, but he was a great choice for the role. He put the perfect amount of fanboyism into the character and was able to shift Bat-Mite's emotions when needed. And speaking of Bat-Mite: easily the best modern interpretation of the character, considering the minor updates. It seems odd to hear Bat-Mite say "awesome sauce," but it works. Even Bat-Mite looking to make Batman his plaything fits, taking his wanting to see his hero in action to the extreme true, but it still fits. At his core, Bat-Mite in "Brave and The Bold" is Batman's biggest fan as he's always been. The convention in the 5th Dimension was a highlight simply for

PaulDini's breaking of the fourth wall to give a message to those decrying "Brave and The Bold" for its lightheartdness. And to top everything off, the "Great Piggy Bank Robbery" homage at the end is simply brilliant.

I'm not going to give away all of the easter eggs, but there are a lot for fifties Batman fans:

-During the scene where Bat-Mite changes Batman's costume half a dozen times, it changes to both Bat-Hombre's from Batman #56 and that of the Zebra Batman from Detective Comics #275.

-The 5th Dimensional Comic-Book, Science-Fiction, Fantasy, Horror...& Tiddlywinks Convention in the episode is the 267th, a reference to Bat-Mite's first appearance in Detective Comics #267.

-The Rainbow Creature from Batman #134 can be seen on the alien world, and I wouldn't be surprised if the other aliens are from Batman comics.

-Bat-Mite turns into a Bat-Ape momentarily when going up against Gorilla Grodd.

-A couple of villains that appear during the Looney Tunes tribute: Polka-Dot Man, Killer Moth, Mr. Zero (that's right folks, they don't call him Mr. Freeze, they call him Mr. Zero), and, of course, Zebra-Man.

If you only watch one episode of "Batman: The Brave and The Bold," though you should watch the whole series, make it this one. From beginning to end, it's a fun tribute to the Silver Age and to Batman in general. And don't forget to keep your eye out for easter eggs! That's all for now folks.

"Brave and The Bold" Bat-Mite News 2: Electric Boogaloo

In an interview with Newsarama, Diedrich Bader, who voices Batman on the "Batman: The Brave and The Bold" cartoon, revealed that the actor providing the voice for Bat-Mite in an upcoming episode is...Paul Ruebens.

One future episode will feature the latest incarnation of Bat-Mite, with Paul Ruebens voicing the role.

“He’s hilarious,” says Bader. “He’s so perfect as Bat-Mite. The fanboys of the show are just going to go out of their minds because we mess with reality in a way that just hasn’t been seen on our show. Both the script and the animation goes completely out there.”

According to informed sources, this episode features many other appearances by major players in the DC Animated Universe. As to who? The joke’s too good to waste. Suffice that they are names you will automatically recognize though.

I'm not sure how I feel about this casting. Right now all I can think about is a Bat-Mite sounding like Pee Wee Herman, but I really doubt that'll be the case. With Paul Dini writing the script and the quality of the show, I expect this to be excellent.

"Brave and The Bold" Bat-Mite News

As you may or may not know, Cartoon Network has been airing a new Batman cartoon entitled "Batman: The Brave and The Bold". As opposed to the darker take on Batman in cartoons since the 90s series (greatest cartoon ever by the way), this one has a more light hearted, Silver Age slant to it. In the tradition of its namesake, each episode sees Batman team up with another hero, or group of heroes, against a new foe. Since before the first episode of the show aired, Bat-Mite was mentioned to make an appearance. At the Batman panel during last summer's San Diego Comic Con, we got our first confirmation from Paul Dini:

He's also returning to his animation roots, having written an episode of the upcoming cartoon "Batman: The Brave and the Bold," which he said during the panel will feature Bat-Mite.

In today's Newsarama interview with the show's producer, we got a little more information about the episode:

NEWSARAMA: I was also informed Bat-Mite is coming in the future.

JT: Definitely. You know what? It’s going to be terrific. It’s going to be a fan favorite. I predict that already. It’s a great looking episode. I don’t know if I can talk about who’s voicing the Bat-Mite just yet. It will definitely be a surprise. Then again, when you hear him, everyone will go, ‘of course!’

As the first half of the first season is ending this week and next with a two parter, it looks like the second half of season one is when we'll see the episode. I for one, can't wait. If you haven't seen the cartoon yet, I highly recommend it. Each episode is just an absolute blast. And since I'm on the subject of the cartoon, the two part finale I spoke of will feature an appearance by The Joker. But not just any Joker.

That's right, the Dick Sprang Joker.

Bat-Mite Gets Political

Bat-Mite Spotted At New York Comic Con

(Thanks to reader Patrick Senarto for the pic.)

Super Friends #11 On Sale Now

Even though it's been out for over a week, I wanted to remind everyone that Super Friends #11, featuring everone's favorite imp Bat-Mite, is now on sale. I haven't had the opportunity to read it yet, but you can bet when I do, I'll be reviewing it on the blog.

Super Friends #11

Written by Sholly Fisch

Art by Chynna Clugston

Cover by J. Bone 

Batman's got a fan club! But it's a mischievous fan club of one known as Bat-Mite, and he just can't stand the other Super Friends saving the day alongside Batman. Will the caped crusader be forced to fly solo from now on? Not if Mr. Mxyzptlk can help it!

32pg, FC, $2.50 US

Also, I apologize for the sporadic posting over the past few months. I hope to get back into a consistent schedule this weekend.

A Bevy of Bat-Mite Buttons

The name of the blog comes from a promotional button released by DC in 2000. For the past couple months I tried to get my hands on one, but never could as when it did turn up on eBay, it was part of a larger set that cost more than I was willing to spend. Finally I saw someone selling a set of 28 of the buttons for $9. One buy it now and a few days of shipping later and I am now the owner of 28 "I Believe In Bat-Mite" buttons. Now I obviously don't need 28 buttons, so my hope is that as readership of the blog grows, I can send out some of my extra buttons to other fifties Batman fans. If you'd like to become a "Bat-Mite Believer", send your snail mail address to 50sbatmanblog@gmail.com.